Pierre-Auguste Renoir Dance at Bougival

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You are viewing a Serigraph print. Fine artists create serigraphs in limited runs by applying layer upon layer of pigment to the print surface by pressing it through a mesh screen containing a stencil. The complex and lengthy process commonly uses inks for pigment and stencils made of a variety of materials. Because of the nature of the process each serigraph is unique.

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You are viewing a hand colored print. The process begins with hand-pulled black & white decorative and antique reproduction prints. Each print is then individually designed and hand colored using the same methods of color application that were used throughout the 19th century, before modern color lithography. Individual artists meticulously paint each piece using the finest European watercolor paints on heavy mat, acid free, archival paper resistant to deterioration and discoloration. By combining old world craftsmanship with fresh design innovations, our artists create works of stunning depth and vibrancy that are absolutely beautiful and unique.

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Limited editions are a series of identical prints, which are limited to a one-time printing of a certain number of pieces. The artist determines the size of the edition, and usually signs and numbers each individual piece. Limited edition prints framed by the Fulcrum Gallery are handled separately and given the utmost individual care and attention, using archival framing materials and practices. Because limited editions are in limited supply, and are of exceptionally high quality, the price is generally at a premium to regular open edition prints.

Description:
"Don't ask me if painting should be objective or subjective-I don't give a d... about such things. It makes me wild to have young painters come to me and ask about the aims of painting. And then there are those who explain to me why I put a red or a blue in such-and-such a place ... Granted that our craft is difficult, complicated; I understand the soul-searchings. But all the same, a little simplicity, a little candour, is necessary. I just struggle with my figures until they are a harmonius unity with their landscape background, and I want people to feel that neither setting nor the figures are dull and lifeless." -Cited in Cennino Cennini "Le Livre de l'Art ou Traite de la Peinture" translated by V. Mottez New edition with a letter from Renoir, 1911